So, I’ve been toying with this idea, and I thought, “Why not try pitching it to Netflix?” Yeah, I know, it sounds like a long shot, but hey, gotta shoot your shot, right? So, I started digging into how one would even go about doing this.
First off, I learned that Netflix is pretty strict about how they accept submissions. You can’t just send them your idea directly. Nope, it’s not that easy. They only look at stuff that comes through a licensed literary agent, or some producer, attorney, manager, or entertainment executive they already know. Anything else is considered an “unsolicited submission,” and they just toss it aside. Bummer, I know.
Knowing this, I realized I had to get smart about it. I began looking up agents and industry folks who might have a connection with Netflix. I mean, it’s all about who you know, isn’t it? I spent hours on the internet, researching agents who specialize in the kind of genre my idea fits into. I even considered reaching out to some entertainment lawyers to see if they could help. It was a real deep dive, let me tell you.
While doing all this, I also worked on refining my pitch. I learned that you gotta keep it short and sweet. They don’t want to read a novel. So, I focused on the main stuff—the concept, the tone, the genre, why it’s marketable, and why it would make a killer film. I practiced my pitch over and over, trying to make it as catchy and exciting as possible. The goal was to get them hooked and eager to hear more.
I also did some homework on Netflix’s strategy. I looked at what kind of shows they’re into right now, who they’re targeting, all that jazz. It’s important to show them that you get their vibe and that your idea fits right in with what they’re doing.
Now, I haven’t sent my pitch yet, but I feel like I’m on the right track. I’ve got my pitch polished, I’ve got a list of agents and industry contacts to reach out to, and I’ve got a good grasp of what Netflix is looking for. It’s still a long shot, but I’m giving it my best.
Here’s a quick rundown of what I did:
- Researched Submission Rules: Learned that Netflix only accepts submissions through specific channels.
- Networked: Started identifying and researching agents and entertainment professionals with Netflix ties.
- Refined the Pitch: Worked on making my pitch concise, focusing on the key elements like concept and marketability.
- Studied Netflix’s Strategy: Got familiar with their current content and target audience to tailor my pitch.
So, yeah, that’s where I’m at. It’s a grind, but it’s exciting. Who knows, maybe one day you’ll see my idea on your Netflix screen. Fingers crossed!
